Nikolai Nekrasov - You and I are stupid people: Verse. Analysis of Nekrasov's poem “You and I are stupid people We are stupid people with you
Nikolai Alekseevich Nekrasov is a prominent figure in Russian literature of the 19th century. It is he who is considered the main successor of the cause of the romantics - Pushkin and Lermontov. This poet is a master of the artistic word - he masterfully mastered all lyrical genres - poems, poems, elegies. Of course, for many inquisitive readers, Nekrasov is the author of "folk poems", in which he skillfully conveyed the bitter fate of the peasants and general injustice, but this is only one of the facets of his talent. He is also an unsurpassed lyric poet.
“You and I are stupid people” is a stunning lyric poem by Nekrasov, written in 1851. The history of the creation of this work is closely intertwined with the love story of the author. Nikolai Alekseevich loved Panaeva, a married woman, tried in every possible way to achieve her location. Secret meetings, attempts to keep relations in the strictest confidence were unsuccessful, and in 1846 something unimaginable happened - the poet became a lover of the Panaevs' house, that is, Panaeva, her husband and Nekrasov himself lived in the house.
Of course, such cohabitation was actively discussed in secular society, put up for general discussion, which could not but anger the lovers. It was from 1846 that Nikolai Nekrasov began to quarrel with Panaeva and came to the conclusion that to describe this phenomenon, to try to explain the nature of quarrels and their meaning.
Genre, direction and size
From the first lines it becomes clear that the poem can be safely attributed to love lyrics, because, speaking of lovers, there can be no other feeling than love. Nekrasov continues the tradition of romanticism, but also depicts shades of realism in his own lyrics, filling it with ordinary mundane sketches.
The poem is written in three-foot anapaest using cross rhyme (ABAB). Literary scholars have already agreed that it is the anapaest that is the best of the syllabo-tonic meters, capable of conveying the lyricism and sensuality of the mood of the lyrical hero, thanks to the rather non-dynamic alternation of stressed syllables.
Images and symbols
The lyrical hero and his beloved are all the characters in the lyrical work. Both of them love each other, but their temper makes itself felt in outbreaks of quarrels. The author calls himself and the chosen one stupid people, giving this adjective a completely harmless meaning. He is touched by the ability of each of the lovers to instantly ignite with anger and immediately fade away.
It is also worth noting that in love lyrics there cannot be a motive of love, a romantic feeling between a man and a woman. The motive of the quarrel is the backbone of the poem, which was the reason for writing the work.
Themes and mood
The main theme of the poem is the passionate relationship of lovers. The writer masterfully conveys the tension between them - "the soul excites and torments." Nekrasov does not describe the phenomenon of a quarrel very tragically, he is sure that this is inevitable, therefore, one must treat the quarrel philosophically - as a test of relationship for strength.
There is another theme in the poem - the theme of reconciliation of lovers. The poet does not paint a picture of a happy day for the couple, the reader can only guess how much it will be good for the two of them, because the question that it may suddenly happen that the lovers do not reconcile is not even worth it.
Of course, all these micro-themes are parts of the main theme, love. Relationships between a man and a woman are a natural phenomenon that develops dynamically, so there will always be ups and downs, quarrels and reconciliations.
Main idea
The main idea of the poem is that a quarrel is a natural period in the relationship of loving people. To reconcile, you need to express emotions. Although this moment is sharp, but the stronger the feeling of love after a quarrel.
Means of artistic expression
The poem is small in volume, so it is not replete with epithets and metaphors, but they still have a place to be.
“An unreasonable, harsh word” is a very figurative epithet that conveys the attitude of the lyrical hero to the nature of the quarrel. The hero is aware that the conflict is a stupid and impulsive act that cannot be taken with the utmost seriousness. Fighting is an emotion.
“Prose in love” is a popular metaphor for writers that describes the dullness and everydayness, and sometimes the negative aspects of love.
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Nekrasov's private life was condemned by most of his contemporaries. After all, the young man fell in love with the wife of his friend, struck up a relationship with her, and subsequently lived under the same roof with his chosen one Avdotya Panaeva and her lawful husband Ivan. This love triangle, not hidden from other eyes, lasted for almost sixteen years. Its apogee and at the same time the guarantee of the end was the appearance of a common son and his quick death.
The lyricist devoted a cycle to the scandalous novel. One of the most striking of them is "You and I are stupid people", created in 1851. It was then that a certain misunderstanding began between the lovers, there were signals of what was on the threshold. They became frequent mutual accusations.
Difficult relationships are described in one deep phrase, which states that every minute there is a flash between the couple. But sometimes one thoughtless word or too strict look is enough for resentment. In this case, a solution to this problem is proposed: you need to immediately say that you don’t like the chosen one, and not accumulate irritation for years, turning it into the strongest fire of the soul. After all, a small fire can be extinguished by barely blowing on a candle, and it is not always possible to put out a huge fire, and it leaves behind only ashes and emptiness.
At the same time, a peculiarity was noted in such everyday quarrels, from which it is unrealistic to get away. After all, they are able to give new sensations, a breath of fresh air. The author believes that after them love is especially tender. The main thing is that reconciliation follows. A small discord will not destroy the relationship, but not stopped in time will lead to the complete collapse of the relationship.
The work is built from three stanzas. First, a picture is drawn, this is a description of the state of the quarreled immediately after the exchange of reproaches. It is motionless, without development - not a single verb is used here. This is a situation that needs to change. After the reader, on the contrary, will meet a lot of movement. This is an appeal to the heroine. The lyrical hero asks her to report everything that she does not like.
The third part is again static. Here the expectation of peace is described: only one verb form is used in the imperative mood "let's take" in combination with the noun "happiness". Again, it does not imply active actions.
The entire text is built on metaphors, such as "prose of love", which make it possible to understand the emotional experiences of the hero. You can also see several epithets that convey the attitude of lovers after the scandal. These are phrases such as "excited chest." Alliteration allows you to literally hear the barbs ringing in silence.
The three-foot anapaest with a feminine rhyme makes the rhythm smooth and even melodious. This technique helps to look at everything from the side.
Although these lines are dedicated to one woman, Nekrasov, in her person, appeals to everyone with an appeal to protect their feelings and not bring trifles to big problems that can no longer be approached.
The heavy, quick-tempered nature of the poet and the ambiguity of the relationship with Panaeva are reflected in the first line of the poem, where the author calls the lyrical heroes "stupid". He explains this by the fact that quarrels and disagreements flare up in their relationship every minute. However, the author perceives these moments of life together not as something destructive, but rather as a relief for the soul. At the same time, the poet does not focus on the angry words spoken during the quarrel.
On the contrary, he appeals to his beloved with a call to speak, not to hold back negative emotions inside, to throw out everything that worries. Nekrasov sincerely believed that calm everyday life did not make life easier, he recognized that quarrels were necessary because they were an adornment of routine life. The lyrical hero in the process of reflection pays special attention to the fact that after a stormy quarrel there always comes a sweet reconciliation. And, since life is impossible without disagreements and violent quarrels, only benefit should be taken out of them, because only during such outbreaks does an understanding of each other occur, loving people begin to show more participation to their other half.
The history of the poem
Joint activities in the Sovremennik magazine, founded by Alexander Sergeevich Pushkin, led to the fact that in 1845 old friends, Nekrasov and Panaev, bought the publication. The poet's fateful acquaintance with Panaev's wife, Avdotya Yakovlevna, took place long before that, at one of the poetic evenings. She was a very beautiful, educated and talented young woman, the owner of a literary salon. Many cultural figures sought the favor of the beauty, among them was Nekrasov. Panaeva rejected the 26-year-old admirer for a long time, explaining that she did not believe in the sincerity of his feelings.
The personal relationship of the poet and Panaeva was not distinguished by calmness and regularity. Contemporaries noted many quarrels that arose almost from scratch. The reason could be a careless glance or an accidentally dropped word. It was after one of these disagreements that the poem “You and I are stupid people ...” appeared. In addition to this work, the "Panaevsky cycle", which critics recognized as a masterpiece, includes other poems and stories. Their hallmark is deep reflections on feelings, love, everyday life.
Throughout the year, the poet sought the attention of Avdotya Yakovlevna, even rented an apartment next to the Panaevs' house. After a joint trip to Kazan, where the lovers explained their feelings to each other, the two families began to live under the same roof, which caused public discontent. However, young people in love were satisfied with this situation. Despite the fact that relatives, acquaintances and even closest friends turned their backs on the writer, he experienced a true sense of happiness.
Ivan Panaev was a lover of women and had a reputation as a rake. He did not pay attention to his wife from the first year of their life together. But the church did not give permission for the divorce of a married couple, so there was no other way out. The civil marriage of Nekrasov and Panaeva took place under the same roof with her official spouse, which led to numerous quarrels and scandals arising from the poet's jealousy.
In fact, all the participants in this drama were her hostages.
Despite the ambiguity of the situation, the joint work on literary works and in the editorial office was very fruitful, which united young people. At the same time, Avdotya served as a proofreader in the magazine and, at the same time, was the poet's muse. In 1848, Nekrasov came up with the idea of writing works together. In those days, this was the first attempt at joint creativity, which did not arouse enthusiasm in the literary community. However, the lovers discussed the general idea, decided on the plot, and the creation was written.
Their first novel, Three Countries of the World, was critically acclaimed, popular, and helped Sovremennik stay afloat, filling up with material from issue to issue. The second joint work, Dead Lake, did not have such success, since Avdotya Yakovlevna worked on it almost alone, Nekrasov was completely immersed in editorial concerns.
In 1849, the couple had their first child. But the boy, named Ivan, was very weak and died after a few weeks. Perhaps that is why by 1855 relations between Nekrasov and Panaeva began to subside, but they continued to live in the same house. The couple broke up in 1863, shortly after the death of Ivan Panaev.
Women of Nekrasov
Throughout his life, Nikolai Alekseevich had three long novels. The first one, who left an indelible mark on the poet's soul, was with Panaeva. Despite the difficult breakup, the writer kept her image in his soul all his life and even mentioned it in his will.
In 1864, Nekrasov made a three-month trip abroad. He was accompanied by the poet's sister, Anna Alekseevna, and the Frenchwoman Selina Lefren. The actress of the Mikhailovsky Theater had a calm and easy character, which attracted the writer very much. Their relationship can be called rather cool, but Nekrasov was pleased with the rare meetings. In 1867, they again go abroad, however, Selina has not returned from it. In the summer of 1869, Nekrasov improved his health for a month on the French coast. But first he went to Paris, where he met with the actress again.
The only official wife of the writer was a simple peasant girl Fekla Anisimovna Viktorova. At the time of their first meeting, she was 23 years old. Nekrasov was almost twice her age. Sincere admiration for the talent of the writer, memorization of his works flattered the author. In order to supplement the meager upbringing and fill in the gaps in cultural life, Nikolai Alekseevich took the girl to exhibitions, theatrical performances, taught her to read and write, languages. The only thing that haunted the writer was the name of the chosen one. Nekrasov considered it too simple and replaced it with a more attractive one, Zinaida Nikolaevna.
Nekrasov's acquaintance with his future wife happened in 1870, and in 1875 doctors diagnosed him with a fatal disease, intestinal cancer. Being in a state of strong emotional oppression, the author writes "Last Songs". Perhaps the news of his imminent death, or perhaps the sincerity and sincerity of the work allowed critics to attribute it to the best that came out of Nekrasov's pen.
The wedding with Zinaida took place a few months before the death of the writer, in 1877. Already after the funeral, the Nekrasov family accused the girl of selfish motives and took away all the property, including the results of dying creativity.
Composition of the poem
The work consists of three stanzas, each of which has its own emotional coloring:
The first stanza does not contain a single verb, therefore it evokes a feeling of static, inaction, it describes the current situation and literary heroes;
The second stanza is filled with verbs of the imperative mood, it encourages the heroine to act here, the reader can see a clear indication that the beloved is an ordinary earthly woman, with flaws and a complex character, but this makes her even more beloved by the lyrical hero;
The third speaks of the expectation of reconciliation and subsequent happiness, it is philosophical in nature, explaining the role of a quarrel in everyday life.
The poem "You and I are stupid people ..." is written in a three-foot anapaest, to give melody to the stanzas, the author used female rhyme, that is, the emphasis on the last syllable. The main idea of the poem is that quarrels and discord should be present in every life, as they bring sharp emotions to love relationships and lead to violent reconciliation.
The means of artistic expression in the work are used with great care. It is thanks to this that after reading the impression of participation in a real life situation remains.
A.Ya.Panaeva
In his work, N.A. Nekrasov repeatedly addressed the theme of love. In his poems, the feeling of love is multifaceted, it appears in all its ambiguity, unpredictability.
The poem "You and I are stupid people" was first published in No. 11 of the Sovremennik magazine in 1861 without a signature. White's autograph was with the title "K ***".
What is the history of the creation of the poem "You and I are stupid people"? The poem was written by Nekrasov in 1851, and addressed to A.Ya. Panaeva. Avdotya Yakovlevna Panaeva was one of the most charming and outstanding women of her time. The romantic relationship connecting Nekrasov with this bright, intelligent woman left a deep mark both in his life and in his work. In collaboration with Nekrasov, Avdotya Yakovlevna wrote the novels "Three Countries of the World", "Dead Lake". Her literary pseudonym was N. Stanitsky. During periods of censorship, the novel Dead Lake provided the Sovremennik magazine with literary material, and this made it possible to keep the magazine afloat. The relationship between two creative people - Nekrasov and Panaeva has never been calm and serene. One of the difficult moments of their love story is reflected in the poem "You and I are stupid people."
The main theme of the poem- love, a feeling that the author wanted to show in all its diversity, with all its conflicts and searches for reconciliation.
Compositionally, the work is divided into three stanzas.
The first stanza brings us up to date. “Flash is ready”, “a harsh word” - it becomes clear that disagreements have arisen between loving people. The stanza begins with the symbolic pronoun "we".
The lyrical hero is a person with philosophical views of life. He does not blame his beloved, does not reproach himself. “We are with you…” – and it becomes clear that only by joint efforts can differences be overcome. The judicious intonation of the first stanza is replaced by a more resolute second.
In the third stanza, the lyrical hero conciliatoryly says that if a quarrel is inevitable (and a quarrel is “the prose of love”), then you need to benefit from it, take your “share of happiness” from it. After all, after the outbreak, everything is arranged in the best way: “after a quarrel ... the return of love and participation is so tender ...”.
The lyrical hero tries to understand the feelings of his girlfriend, offers not to withdraw into himself.
The main idea of the poem "You and I are stupid people"- life is prosaic, and love is not always beautiful moments. Love, like life, is contradictory, it happens that it does not bear the imprint of idyllism and tenderness.
The main feature of the poem lies in the fact that Nekrasov, unlike his predecessors, poeticized not only the delights of love, but also the so-called "prose" in relationships.
Poetic size "You and I are stupid people"- tripartite anapaest. This size of the poem gives the content a certain melody, melodiousness. The strophic structure of the poem is abab (cross) with the use of feminine rhyme (emphasis on the penultimate syllable).
Means of artistic expression
Epithets - "stupid people", "unreasonable, harsh word."
Metaphors - "get angry openly", "peace is easier", "return of love".
Appeal - "my friend"
This poem is devoid of excessive pathos, vivid figurative details. This is fully justified: Nekrasov tried to show not some fictitious picture, but to recreate the real situation.
Exclamations are used sparingly.
Stylistic device for enhancing the expressiveness of speech (alliteration)
The sound instrumentation of the poem is interesting - saturation with consonants "s", "z" creates the impression of a quarrel.
I like it a poem with its realism, an interesting display of characters. The lyrical hero and heroine are people who are not alien to anything earthly, they love, quarrel and look for ways to reconcile. After the outbreak, their feelings are refreshed. Not all lovers develop relationships in this way - many, after a quarrel, harbor grievances for a long time. Nekrasov's poem makes you think about human relationships, about the wisdom of love.
In the first line of this poem, which gives the name, the hero declares that he is with her - with his beloved, just stupid. And then he explains this statement. In a minute, a "flash" is ready, that is, a surge of emotions. And as we understand further - negative. But this sharp, often unreasonable word immediately brings relief to both of them. That is, lovers cannot hide not only pleasant feelings, but also their anger and irritation.
In the second stanza, the hero addresses his beloved with a call to speak out. When she is angry, worried and tormented, and her soul is restless, then it is better to speak out. It is clear that she will not express the most pleasant, but the narrator is ready to accept everything. He calls her affectionately "my friend", asks to be open. But not only to her this request, but also to himself. Do not create artificially beautiful relationships, behind which repressed anger boils, claims and misunderstandings grow.
How often people seriously quarrel over the last drop, which can be any little thing! And all because they did not speak sincerely with each other, did not sort out the dubious situation, and everyone understood it in their own way, everyone was offended ... Such a “peaceful” existence is painful. And in general, just a peaceful state without claims and questions can mean that people are afraid to touch on difficult topics, they remain at a distance from each other. And any world, like any quarrel, can get boring. It's good to have a change.
The third stanza is more philosophical. It speaks of the inevitability of prose in love, that is, life. But the author urges to take a “share” of happiness from her. And as for the inevitable quarrels ... then after them it is so wonderful to return to love again.
Of course, some words seem outdated to us in this 1851 poem (for example, “participation”), but the feelings of the characters are understandable. Nekrasov's advice is still relevant today.
Analysis of the poem You and I are stupid according to plan
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